Our history
The Meeting House on Newington Green was built in 1708, but the story begins sixty or so years earlier, in the aftermath of the Civil War, when Newington Green became the nucleus of a distinct dissenting community.
At this time Newington Green was little more than a cluster of houses and London lay at a distance across green fields. This was a comfortable and pleasant place to live and the dissenters who lived here were well-off and influential – many were connected with the upper levels of Cromwell’s army and government.
Dissenters were those who rejected the Church of England. Because this implied a rejection of the monarchy they were not given full civil rights – they could not take civil office or attend university. They were also forbidden to meet to worship and had to do so secretly and in private. They therefore tended to settle in isolated places, with like-minded people. As dissenters’ rights improved in the late 17th and early 18th century it became possible to worship in public and the Meeting House was built to serve the now well-established Newington Green community.
The Newington Green dissenters now had a public focus and ‘shopfront’ for their religious activities.
As London spread closer, the community grew and became increasingly networked with a wider world of international events and ideas. The apex of this development was the last two decades of the eighteenth century when Richard Price, philosopher, political theorist, mathematician and Royal Academician was preacher.
He formed friendships with many of the leading intellectuals of his day, including the feminist Mary Wollstonecraft, the scientist and founding father of the United States, Benjamin Franklin, the chemist and theologian Joseph Priestley, and the philanthropist and prison reformer John Howard.
Anna Laetitia Barbauld, who moved to Newington Green when her husband became preacher after Richard Price’s death in 1791, continued the tradition of active involvement in politics and global affairs by campaigning for equal citizenship for dissenters and against slavery and the slave trade. She was also a talented and inspirational poet.
In the twentieth and twenty-first centuries the congregation’s drive for social justice continued with inter-faith projects in the 1950s and the campaign for equal marriage rights in the early 21st century.
Today the Meeting House is an intriguing and unusual space: a place of worship with a humanist message, where the minister and most congregants do not believe in God; a place of historic significance that is forward-looking and strongly engaged with social justice. There are many draws for the curious visitor – international connections, local history, and a modern-day place of worship whose rationale is unique by being radically inclusive.
The Meeting House's architecture
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Newington Green Meeting House before restoration in 2020
The original Meeting House was built in the Queen Anne style in 1708. Wikipedia notes that it was “too plain for [Mary] Wollstonecraft’s Anglican tastes”. This ‘plain’ building was substantially extended and improved in the mid-19th century to accommodate a growing congregation. At this time, “an internal gallery was built to increase the seating available, and a few years later the roof and apse were renewed”. The internal work, that expanded the capacity and improved the structure of the building, was accompanied by work on the façade of the Meeting House. The original façade was replaced with a Classical design: “a three-bay front with two round-headed windows, but with added Tuscan pilasters and a large pediment” The question is, why was this Classical design chosen and what did it represent?
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First Unitarian Church’ in Baltimore, USA
There were precedents for a Classically designed Unitarian chapel. The ‘First Unitarian Church’ in Baltimore, USA was the first building erected for Unitarians in the United States in 1818. The Classical pediment over the portico is a distinctive feature of this building. Later American non-conformist churches, like the first Universalist Church in Boston, (built c.1853) also followed the Classical style, in this case incorporating a pediment over a symmetrical three bay façade, with pilasters at either side. The design is reminiscent of Newington Green Meeting House.
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First Universalist Church – Boston
The architectural elements of these designs were derived from the grammar of Classical temples, in which the pediment usually stood over a portico; a columned projection at the entrance to a temple. In fact, Pritchard confessed that “had it been permissible at the time, [Dr Cromwell’s] suggestion of a portico would also have been adopted”. Without a portico to support, structural columns were rendered unnecessary, but Hovendon added two pilasters (relief columns) at either side of the façade to maintain balance. The round arched windows that front the two side bays are arranged on either side of the door to create a symmetrical design in the rectangular area between the pediment and the pilasters. The overriding effect is one of Classical harmony.
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The more traditional Gothic style, favoured by Anglican Church architects, was pointedly not adopted. Richard Hill has noted that financial constraints may have precluded the adoption of a “more up-to-date Neo-Gothic design”, but it seems that Dr Cromwell had made his preference for a Classical style façade plain to the architect. What could have been his reasoning? Cromwell knew about church architecture and had contributed to James Sargant Storer’s ‘Cathedral Churches of Great Britain’ (1814–19). He had become a fellow of the Society of Antiquaries in 1838 in recognition of his erudition. He must therefore have been familiar with Neo-Gothic churches. Notwithstanding the financial constraints, it is reasonable to suppose that Cromwell’s choice of a Classical façade, with its balanced design and lack of ornamentation, may have had some connection with his Unitarianism.
John Summerson, the architectural historian, has defined the aim of Classical architecture as follows: its purpose is “to achieve a harmony of parts … to establish harmony throughout a structure” . This harmonious style has been used to express the ideals of many different beliefs, from Mussolini’s fascism in Italy, to “the God-fearing simplicity of the Nonconformists in England and America”. Each movement has sought to associate itself with the calm and harmonious rationality that is expressed in the Classical style. It is quite possible that Dr Cromwell felt the pull of Classicism for just this reason.
Further Reading:
https://qtarchitects.com/essays/essay-seven-misunderstandings/
Summerson, John. (1963) The Classical Language of Architecture. London. Thames and Hudson
Oxford Dictionary of National Biography, 1885-1900/Cromwell,_Thomas_Kitson
https://en.wikipedia.org/wiki/Newington_Green_Unitarian_Church
Radicals and Newington Green
A product of Victorian radicalism and the working men’s club movement, the building at 34 Newington Green housed one of the most politically active groups in the capital for 30 years. So while the building continued to and is still home to an operating working men’s club, it has not been active in liberal radicalism since the 1930s, cementing this change in the removal of ‘radical’ from its title.
At its peak The Mildmay Radical Club had 3,000 members, hosting debates and organising demonstrations on the national and local political issues of the day. Key standpoints included support of Home Rule in Ireland, opposition to the Second Boer War and fighting for the 8-hour working day. In fact the club was considered so radical that in 1893 the vicar of St. Matthias castigated it as a ‘pernicious influence among the young’ and in 1894 the club relocated from its original headquarters in Islington where it had been established since 1888, to where it is today. Opened at the turn of the twentieth century, the club’s now recognizable grade II listed location on Newington Green was designed by Alfred Allen and incorporated a rifle range, snooker hall, members bar and theatre.
The Mildmay Radical Club was also involved in the workers theatre movement, which in the 1920s became an, albeit short, international movement ‘committed to using dramatic means to promulgate revolutionary ideas to workers.’ Based off the agitprop theatre idea, from soviet Russia, this was a form of agitational propaganda used to convey political messages to illiterate workers in the new USSR. These workers theatre groups would perform outside factory gates, labour exchanges and on street corners, propagating ideas such as fair working hours. The movement was based in various locations around Hackney such as Kings Hall and Stoke Newington Library, as well as the Mildmay. The clubs involvement in this movement is further evidence of its radical nature at the beginning of the 1900s.
The Radicals on Newington Green were active and prominent, using their position in the local community to educate and spread liberal views, designed to extend clubs to working class men as an alternative to the pubs. A part of the community that, although now nonpolitical, has ensured the longevity of the Mildmay Club since its establishment in 1888, in actions such as running a food bank during the recent COVID-19 outbreak and hosting comedy nights.
Learn about our former neighbours
This mini-lecture was put together by Dr. Charlotte May of Nottingham University to help us learn about his time at Newington Green, his relationship with the Meeting House, and other intellectuals in the area in this exciting period.
Dissenting Academies and the Green
Dissenting academies were founded in the second half of the 17th century as a response to the passing of the ‘Act of Uniformity’ (1662), that required Anglican ordination for all clergy.
Ministers of the church who disagreed with the tenets of Anglicanism were debarred from the clergy and consequently many found themselves unemployed. Some of these dissenters became Unitarians, which was one of a number of non-conformist sects. Non-conformists were debarred from attending the universities of Oxford or Cambridge – then the only universities in England and as a result, some dissenters set up their own academies offering a university-level education to people who, like themselves, dissented from the Anglican Church. These academies came to be known as ‘dissenting’ academies but what is so striking about them is that, except for a few exceptions, dissenting academies conformed largely to the academic norms of the period, adhering both to prevailing models of the curriculum and conventional modes of instruction. Whilst the people who founded them and who attended them may have been dissenters, the academies themselves were in most respects, ‘conformers’.
Newington Green was already a centre for non-conformists when Charles Morton opened his ‘Dissenting Academy’‘ on the North side of Newington Green in 1667. Morton’s academy was well respected as a seat of learning at which the level of instruction was on a par with that of the universities of the time. Morton’s Academy educated important figures such as Daniel Defoe, author of ‘Robinson Crusoe’ (1719), Moll Flanders (1722) and the currently topical ‘A Journal of the Plague year’ (1722), and Samuel Wesley, whose son, John Wesley, founded the Methodist movement.
These two ex-students wrote about the syllabus at Morton’s academy: Defoe wrote that the syllabus contained; “Latin but also Greek, Hebrew, Logic, Mathematics and Science” In other words, the subjects taught at university. According to Irene Parker, non-university subjects were also offered, including: “French, Italian, Geography, History”, to which the Oxford Dictionary of National Biography (ODNB) has added ‘religion’. The ODNB considered Morton’s Academy as “probably the most impressive of the dissenting academies [prior to 1685], enrolling as many as fifty pupils at a time”. It even possessed “a bowling green for recreation”. Samuel Wesley recorded in his notes that experimental work was carried out at the academy using scientific instrument’, suggesting that not all teaching relied on textbooks. The ODNB records that lectures were given in English, not Latin. Defoe praised Morton for using his mother tongue. By changing the language of his lectures from Latin to English, Morton opened up the world of knowledge to scholars who had not been to a grammar school where they would have obtained a grounding in Classics. This linguistic shift not only gave access to University subjects to non-Latin speaking students, but in doing so, challenged the Anglican Church’s overall grip on university education.
Morton left Newington Green in 1685 and settled in New England – where he subsequently became vice-president of Harvard College – although the academy he founded continued to operate until 1706. Perhaps due to the reputation of the Academy he founded, other academies were attracted to the area. For a brief period, Thomas Rowe’s Academy occupied premises in Newington Green (1679-1683). It later moved to Ropemaker’s Alley in Moorfields where Isaac Watts joined as a student in 1690. Watts lived in Stoke Newington for most of his life, writing the hymns that made him famous, (such as “O God our Help in Ages Past”) and books of logic that were widely circulated. He was well-known as a writer of verse for children; Lewis Carol satirised Watts’ poem ‘Against idleness and Mischief’ in Alice’s Adventures in Wonderland.
A third dissenting academy was set up in Newington Green in 1750 by the Reverend James Burgh, author of a book on education entitled ‘The Dignity of Human Nature and Thoughts on Education” (1754).
This book is full of advice on how to ‘improve’ children’s minds, for example, “All methods of education ought in general to be directed to the improvement of some good tendency or the correction of some wrong turn in the mind”.
Fortunately, Burgh preferred persuasion to coercion, believing that children were not naturally bad, as some educationalists of his period seemed to believe. His views on women’s education were somewhat at odds with those of Mary Wollstonecraft, whom his widow helped to find a house to rent on Newington Green for her girl’s school in 1784. He believed that Women should be educated for life at home, rather than for an active life outside the family.
Burgh became involved in the early 1760s with a group called the Honest Whigs, a club that met on alternate Thursday evenings in a coffeehouse. Other members of the group included Richard Price, minister of the Newington Green Unitarian Church and Unitarian supporter Joseph Priestley, who had been educated at a Dissenting Academy in Daventry, Northamptonshire.
For over 150 years – that is until the University of London, which accepted students from all religious backgrounds, was established in 1836 – dissenting Academies provided University level education to non-conformists, including Unitarians, around Newington Green.
Mary Wollstonecraft: an Anthology
This fantastic Mary Wollstonecraft and Newington Green: An Anthology exploring Mary’s time and letters written from Newington Green, curated by E.J. Clery, is a wealth of information about the local area in the late 1700’s. With contributions from activists, academics and scholars on Mary – we are very grateful to be able to present a definitive document to illustrate the Dissenters’s tradition and influence on Mary.
Slave Owners and Hackney
A piece by NGMH volunteer Jessica Evans
On the 7th June, those protesting as part of the Black Lives Matter movement in Bristol pulled down and dumped the statue Edward Colston, a prolific slave trader, into their harbor. A moment which sparked a conversation on the legacy of British colonialism and how slavery is remembered, both in our education system and via the statues that many of us uncritically pass on a daily basis.
This is a debate which has many standpoints, such as those who see the removal of statues as doing nothing to address the racism that underpins them, to some who see no issue in their standing, and those who view the removal of statues as necessary to highlight and combat the racism that still exists in British society. For me these conversations are just as important as the physical removal of the statues that prompted them. We cannot allow the legacy of British slavery to go unnoticed in the mainstream any longer.
Personally it is has been significant to learn how Hackney, a borough I was born in, educated in and lived in, has interacted with its legacy of slavery. Growing up I was always taught the strong links Hackney has with social and political activism, for example the suffragist Mary Wollstonecraft . As well as the many notable people who have been laid to rest in Abney Park Cemetery (N16), significantly the abolitionist Rev. Thomas Burchell, who established schools and churches to aid slaves in the Caribbean, and Josiah Conder who helped found the British and Foreign Anti-Slavery Society and the world’s first Anti-Slavery Convention, held in London in 1840. In fact the cemetery has a route you can follow, visiting the final resting places of 14 abolitionists who lived and died in Hackney.
However I do not recall any discussion about the slave owners who lived in Hackney. How their existence still penetrates our society, and is memorialized via street and estate names . As well as how, when the 1833, Slavery Abolition Act was passed, freeing thousands of enslaved Africans, 43 Hackney residents claimed ‘compensation for their lost property.’ The total sum of this compensation for all British slave owners was £20 million (around £300 billion today). A debt that the British tax payer continued to pay until 2015. Those in Hackney included John Amos , who lived on Chatham Place, as well as the widow Sarah Grey who was given compensation for the enslaved people on Friendship estate in Hanover, Jamaica
On June 10th, Hackney Council tweeted that they have “launched a review of statues, buildings and public spaces named after slave & plantation owners.” An important step in ensuring the legacy of slavery is remembered in the correct way and its perpetrators are no longer able to exist in our society without us understanding the role they played in the horrific enslavement of thousands of Africans. For example the Geffrye Museum (recently renamed, The Museum of Home ) gets its name from Robert Geffrye, a merchant involved with the slave trade, as well as having a statue of the man in its grounds; although the museum has recently released a statement on the existence of the statue. This was a place I frequently visited growing up, with no knowledge of its named connection with the slave trade. A factor, which now I have that knowledge, only furthers my belief that we can no longer push these legacies away just because they make us uncomfortable.
When looking at the multifaceted history of slavery and abolition in Hackney it is significant to understand how this complex relationship of opposing views coincided within the same communities. For example, the Newington Green Unitarian Church, had a congregation of abolitionists and slave owners, which required Rev. Richard Price to circumnavigate between the occupations of some of his church members and his own absolutist views, such as the West India mercantile of the Vaughan’s and the Boddington’s. The divisive communities of areas such as Newington Green can perhaps be accredited to the attraction the large houses and close proximity to the city had to the merchant and banking classes. So that, as Katie Donington outlines,
Moving forward I hope that the next generation of Hackney are provided with a diverse education and sufficient knowledge to properly appreciate the complexities of our borough; as well continuing to celebrate the legacy of activism that still exists in Hackney today.